Tag Archives: chase n cashe

Top 3 Beat Tapes of the Year

It’s December and it’s time to start throwing out lists; we will have our post xmas Top 20Tunes of the year list as usual, but for now we will focus on a couple of parts of the musical world which no one will pick up on. In this case I’d like to highlight 3 beat tapes that I (Hootie Who) have really enjoyed, put in mixes and that occasionally made it into sets.

1) Chase N Chase : Verde

The NO rapper released this beat tape and an LP this year. He also made one of the instrumentals this year for the Dom Kennedy and Kendrick Lamar collaboration We Ball. Verde is a collection of stuff that you would vibe out to, similar to Beastin above. DL here

2) DJ Dahi : Toys 2.0

Producer of one of my songs of the year My Type of Party he then topped the year off by having one of his instrumentals on the biggest LP of the year; Money Trees on Kendrick Lamar’s MAAD city – it might be the end of the night sneaky singalong classic for years to come. You can dl Dj Dahi’s Toys 2.0 here.

3) DJ Burn One : Where There’s Smoke

Easily one of my fave producers over the past few years, his incredible instrumentals remind me of Organized Noize (easily in my top 3 producers of all time). Highlights on here are the A$AP Rocky songs from his mixtape which in my opinion gave Rocky the best template to be him (unlike the LP). This is music that you can Burn One too, DL here.

Frank Ocean x Thinking About you (Future The Prince Remix)

If you are not following rapper Chase N Cashe on twitter you are missing out on some gems. Not only is he incredibly honest about what is going on in music but he will often point you towards some great music out there. Yesterday was no exception, he pointed his followers in the direction of Future the Prince, who is Drake’s DJ , soundcloud. On it is this alluring remix of Frank Ocean’s Thinking About You. The remix itslef flirts on the line of big room dance music alongside a subtler more introspective vibe. Personally i prefer when the instrumental calms down to fit the vocal but the big room part doesn’t put me off. It’s a fun mixture of both approaches that leaves you as a listener wanting more.